The Internet is a new platform for artists, artists, artists and academics who are not defined now only by them traditional Intellectual Property rules and the boundaries of the material world. Technological developments have always influenced society and shaped the law. The complexity of traditional copyright law, an obstacle to the ideal of creativity cooperation and free distribution, does not apply to the Internet, which has led to phenomena of piracy and general uncertainty about what is happening "out there". The Open Source Movement Movement), which is not related to software issues only, promotes legality, openness, sharing and reuse of code, content, i.e. texts, music, movies, information, data, files and knowledge and introduces us to a world that works and does based on a different value system.
The Copyright rule automatically grants the author exclusive rights to the work, such as reproducing, distributing and editing (otherwise) "All rights reserved". However, many creators do not realize that they are the only and first owners of their creation and what rights they have on it. What was lacking was the legal but also a technological tool for the creator to legitimately distribute his work as he chose. This tool is Creative Commons licenses.
Creative Commons licenses first released 2002 and are now the most widely used Open Licensing system. Licenses are standard legal contracts that authors are essentially attaching to their song, article, or any kind of content they want to publish so as to explicitly authorize their sharing with the "some rights reserved" label. Creative Commons offer the public a set of licenses to choose the uses they want to allow on their content. All licenses require Report to the Creator and further permit or prevent the reproduction, commercial use and processing accordingly. The main element of licenses is that they give the creator the power to decide how to use his work.
The social and economic value of sharing content with Open Licenses is now a fact. In education Openly licensed content significantly lowers costs compared to traditional textbooks. In science and medicine, Open Access research can save lives and encourage efforts to solve hitherto unsolved problems. At the government and philanthropic level, where citizens' tax money and donations are earmarked for charitable and public good projects, open licensing ensures that the results of those investments are made freely available to the public and can be reused. On large websites, the integration of Creative Commons licenses enables everyone to participate and collaborate in the creation of culture and culture, to contribute to the improvement and further processing of educational materials, photos, music and films.
In Greece, the use of Creative Commons licenses has been recognized by the Greek courts by 2007 at its own initiative Open Source Software / Open Source Software (ITC / LAC)and has grown widely from government to education and culture. It is noted that the information of the public on issues of Intellectual Property, Digitization and Distribution is incomplete to the Greek public, but on the other hand there is great creativity and content production by Greek artists, artists, artists,
open frown from Frown on Vimeo.
In this context, the Creative Commons of Greece in partnership with Frown platform And withν support της ΕΕΛ/ΛΑΚ διοργανώνουν ένα διήμερο Φεστιβαλ στις 7 και 8 Δεκεμβρίου στην FROWN (St. Eleoussis 14 & Protogenous, Psyrri, 213-0097547) with workshops, discussions and performances of Greek artists who in one way or another use Open Software, Open Licenses, Open Hardware and belong to the Open Software Movement.
We invite all creators and users to see:
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what does Open Content mean
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how can one use open source software to create, edit and edit audio, video, video
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how can one protect its Intellectual Property in the way it wants and learn how to use Creative Commons licenses -
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how can he distribute his work legally and definitely with new media
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listen to and see artists performances already using Open Software and Open Licenses!
In detail the program:
Saturday 7 December
Round Tables : They concern the presentation of open software tools and the exchange of knowledge and experience in relation to them. The discussion will present their capabilities as well as artistic projects created by the specific programs:
11.00-12.00 Super Collider - Marinos Koutsomichalis
SuperCollider is an interface and programming language for real-time audio synthesis and algorithmic synthesis.
12.00- 13.00 Audacity - Marinos Koutsomichalis
Audacity is an open source digital audio recording and editing program.
13.00- 14.00 Pure Data - Alexandros Drymonitis
Pure Data (Pd) is a visual programming language developed to create interactive audio / music and multimedia projects.
15.00- 17.00 Creative Commons Workshop - Maria Mertzani, Prodromos Tsiavos (in two parts)
Open Discussion/Workshop: "Intellectual Property in the Digital Age and Creative Commons Open Licenses" Lawyer Prodromos Tsiavos (EEL/LAK) and Maria Mertzani (Creative Commons Greece) will talk about Intellectual Property and management of Greece in the digital and artistic world and will explain what Open Licensing is, why someone should choose Creative Commons licenses to share their work, how this kind of Licensing is done easily and quickly and what business models result from the use her in the future.
15.00- 17.00 Hits
Greek Creators explain why they choose Creative Commons licenses "(Technopolis 2012), films and documentaries from the Nordic Creative Commons Film Festival 2013, screenings on the use of licenses and speeches by Creative Commons Festivals worldwide.
19.00- 22.00 Sound Performances
19.00 Alexandros Drymonitis
Alexandros Drymonitis deals with noise and feedback in various forms, exploring the limits of trance and control. He uses open source tools and his work runs freely on the Internet. www.drymonitis.me.
19.30 No God Ritual
No God Ritual has been active in experimental music since the end of the last decade. It examines electronic synthesis using programming languages as a primary tool. He is also a member of the Rumbus and NullPointerConstant teams. Once his work "Nuum" (Felt 009 / Romvos 002) was released,
https://soundcloud.com/nogodritual
20.00 Fruto5
Fruto5 is a figure made up of a multitude of people working in a grocery store. So they sit and look at the fruits waiting for them to mature.http://fruto5.blogspot.gr/
20.30 Zombie Penguin (without the Glory Holes)
Zombie Penguin is a radioactive mutant deer bird (spheniscidae family, Sphenisciformes family) that can not fly and live in the Southern Hemisphere.
After a failed attempt to hypnotize humanity and save the planet, Zombie Penguin creates a virus to free cyber from the scourge of copyright.
http://www.youtube.com/watch?v=sSPYnjd5jdg
21.00 Barbara's Straight Son
" A Memoir of Kilgore Trout” is a concept album about the work of author Kurt Vonnegut (1922-2007). From ancient religions to time travel, from satire to science fiction, from drum 'n' bass to electro-punk and everything in between.
https://soundcloud.com/barbarasstraightson
21.30 Kid Flicks
His music is in and out of the pop music. It uses guitars, bass, mandolin, synths, percussion, found sounds, effects, samples and his voice in a way that sometimes makes it difficult to identify.
https://soundcloud.com/kidflicks
December Deal 8 Schedule
Round Tables : They relate to the presentation of open tools and the exchange of knowledge and experience in relation to them. The discussion will showcase their potential as well as artistic projects created by these programs.
11.00- 12.30 Arduino - Aphrodite Psarra
Arduino is a microcontroller that makes communication between physical objects and PCs accessible. Its programming language is a simplification of C / C ++ and facilitates the creation of electronic prototypes.
12.30- 14.00 Processing - Thodoris Papatheodorou
Processing is a programming language created by artists and is a tool of creative programming. This is a simplification of Java that facilitates the programming of visual programs, and which allows the creation of a direct graphic result.
15.00- 17.00 Creative Commons Workshop - Maria Mertzani, Prodromos Tsiavos (in two parts) The director Stathis Athanasiou participates
Open Workshop: "Digital Age and Creative Commons Open Licenses" The lawyer Prodromos Tsiavos (LLC) and Maria Mertzani (Creative Commons of Greece) will talk about Intellectual Property and its management in the Greece in the digital and artistic world and will explain what Open Licensing is because someone chooses Creative Commons licenses to share their work, how does this licensing work easily and quickly and which business models emerge from the important in the future.
- Stathis Athanasiou, director of A (Alpha) a completely independent, publicly funded (crowdfunded) of a Greek film available on emptyaCreative Commons (http://www.alpha-movie.com/ )
15.00- 17.00 Hits
Short Films from Nordic Creative Commons Film Festival 2013, from film A (Alpha) and part of the documentaryIlias Marmaras "" Common Knowledge: Communities of Knowledge Production in Greece "
19.00- 22.00 Sound Performances
19.00 Angel of the Lord
Aggelos gentleman began recording on his behalf in the middle of the last decade and continues to do the same until today, adding in recent years the word I share the addressangeloskyriou.blogspot.com, at the end of each completed proposal.
19.30 Stratos Bichakis
Stratos Bichakis is one of the members of the electronic duo dot message. His personal work explores the margin between artistic expression and cognitive perception. As raw materials and tools it uses sound, light, free data and open source programs.
20.00 The Hydra
The Hydra is the leftfield sound project of Dimitris Papadatos. The experimentation process covers a wide range of techno music in kosmische and free-form noise in the Atonic composition.
https://soundcloud.com/thehydra1
20.30 Aphrodite Psarra
Η Αφροδίτη Ψαρρά είναι εικαστικός και ασχολείται με τις νέες τεχνολογίες και τον ήχο μέσα από μια DIY προσέγγιση. Η ηχητική της performance Lilytronica βασίζεται στον αυτοσχεδιασμό με τέσσερα κεντητά synthesizers και αποτελεί μια αναζήτηση της αντιπαράθεσης ανάμεσα στην εύθραυστη nature των ηλεκτονικών υφασμάτων και το θορυβώδες ηχητικό τοπίο που μπορεί να παραχθεί
afroditipsarra.com.
21.00 Balinese Beast
The Balinese Beast (Giorgos Axiotis and Ilan Manouah) seems to have been set to identify the shortest distance between silence and deafening noise, and vice versa. Armed with free jazz saxophones, homemade electronics, effects and samples create feedback miniatures and wild, chaotic cut-ups that blend the punk energy with improvisational practice into a wandering at the edges of the audio spectrum.
https://soundcloud.com/balinese-beast
Thursday, November 28, 2013 | CreativeCommons