The British newspaper "The Guardian" presented yesterday in its electronic version one theme dedicated to his 25 years Photoshop.
Featuring a humorous mood, the piece talked about the various hobbles and misunderstandings occasioned by the (millions) small and large interventions in the world of images.
Joking aside, of course, it is a fact that we are talking about one of the most important prosletterτα υπολογιστών που δημιουργήθηκαν ποτέ. Κι αυτό όχι λόγω αυτών των παρεμβάσεων· των σταρ της βιομηχανίας του θεάματος που φαίνονται πιο λαμπεροί από ό,τι είναι, των καλλιτεχνών φωτογράφων που πλέον περνούν περισσότερη ώρα στον computer rather than in the darkroom or the graphic designers who "cut and sew" with a thousand times greater comfort than in the past. It's mostly how we see images now. In short, we are suspicious. The truth of the image, of photos, it was almost undisputed for entire decades.
Of course the connoisseurs always had "tricks" to deceive or deceive the viewer, but their capabilities were limited. They could not convincingly present something that was not even there.
In the age of Photoshop, on the other hand, an excellent connoisseur of the program can enter virtually everything and - most importantly - leave so few traces that even the most experienced eye can hardly detect them. In addition, in recent years, the technology of Photoshop has spread rapidly in the field of animation, video. Today we observe images on the Internet, in print and elsewhere with the "hidden" knowledge that they do not fully correspond to reality. And this, if we think about it, is at least strange…
Source: kathimerini.gr
